A golden thank you

Another surprise in the mail today. You may have seen this gold beauty on Jeff's blog. I'm the lucky recipient of this treasure. Trust me, the picture really doesn't do this snowflake justice. It looks flat and lifeless in the picture whereas in reality it sparkles and shines from every angle, with the picots at the tips flashing golden sparks. The Oren Bayan Metallic gold thread seems so much finer and more golden that the DMC gold thread that I am used to, and the work is exquisite. I am truly blessed with such unexpected treasures as the snowflake received last week from Maria and this one from Jeff. Both snowflakes were received with thank you notes for arranging the round robins.

Jeff was one of the participants in the recent snowflake round robin and was actually the group leader who kept things in the group moving forward collected the pictures and information on the snowflakes and posted it to the round robin blog. One of the difficulties with organizing tatting related things like the 25 Motif Challenge, The Tatting Round Robins and more recently the Tatting Books blog, is that I don't have a lot of spare time to participate in exchanges and round robins myself. That's why I really like being able to enjoy them vicariously, only this time, I have some snowflakes of my own to cherish.

It just kept growing

Want to see what's been taking up all my tatting time recently? This started as a simple square motif that I thought I might use to embellish a denim jacket. It kind of grew out of control and has been taking all of my tatting time recently.

When I got the first square bit done, the bits between the points looked kind of empty. When I fixed that problem, I created another. To fix the second problem I ended up with a chopped off point. By the time I had fixed the point I had created yet another problem. For a while there I thought I was going to end up with a tablecloth before I got the various problems fixed. 14 inches side to side and nearly 15 inches point to point. Done with Coats Royale size 20.

I may leave it white or give it a dye bath. I haven't decided yet. It doesn't really fit any of the spaces I have, being too wide for my end tables and too small for my dining table. Maybe I should have kept going....Nah, I'm tired of this one.

Now my problem is what do I tat next?

Supply Find

I've only lived here for 20+ years, yet this week was the first time I made a trip down to the Coats and Clark clearance centre. I've known it was there, I just never got around to making the trek, partly because it's in an out of the way place and partly because I didn't know it was open to the public. What prompted me to check it out was some folks on a local email list recommending it. When I did investigate it, I discovered that it is only open 3 days a week.

We had to visit a client about a job and they were just a few blocks away from the Coats and Clark location so I had to drop in. I was hoping for lots of different crochet threads, but what I found was rooms and rooms full of yarn and very little crochet cotton.

I was wearing a tatted collar so that I could show the staff the kind of thread I was looking for, but they didn't have any crochet cotton on hand. I did discover some spools of Dual Duty Plus which is suitable for bookmarks, but as this is the clearance location the colour selection isn't terrific.

The larger spools of thread are Machine Quilting and Crafts thread size #50. These were all plastic wrapped and it was hard to tell what size 50 would look like tatted up, but I was thinking I might do a doily with the thread so I bought enough for that purpose. I opened one of the spools and tatted a wee ring when I got home.
Size 50 is, well, tiny as far as doily threads go. It's fine enough to make bookmarks out of although they'd be a little thicker that I like. Size 50 wouldn't be my first choice for doily thread.

They also had both metal and plastic Susan Bates shuttles. Again not my first choice for tatting but at $1.50 I got one anyway. Even if I don't use it, it gives me a shuttle I can give away if I need to, or one to show students what is available and point out the differences between the metal and plastic shuttles.

If you look close at the base of the dark blue thread you'll see a tiny ring. I had to show the staff what these odd looking contraptions were used for. I left them with my business card and my email address so if they get in any crochet thread they can let me know.

Luster Sheen is 100% cotton and as you can see it does tat. I will either crochet a shawl and add a tatted border, or I'll tat the whole thing. I haven't decided which yet. It's going to take a humungous shuttle to tat with it, but with all those colours, it should go with everything.

I bought the cross stitch kits because they were very cheap and I thought my sister might enjoy them.

Not a bad haul for a place that didn't have what I was looking for!

Thread Shopping

I had the opportunity to visit a lovely little shop in Woodbridge called The Enchanted Needle looking for some tatting threads. The shop

has supplies for all kinds of needlework including Cross Stitch, Tapestry and Knitting as well as Finishing and they have a room for classes. I had a chance to talk with the store's proprietors Christiane and Julia whose work in all manner of needle arts, adorn the walls of the shop.

Their spring class schedule is filled up, but Christiane has my card and may need me to come back and teach tatting in the fall.

I went looking for Valdani thread and a brief search of the internet indicated that they were the closest store that carried these threads. Apparently someone else had the same idea and had come in last week and wiped out their stock. That's OK, I managed to pick up a couple of balls in colours I like, so I'll have a play with them later.

The other things I went looking for were balls of perle cotton thread for a project I have been dying to try out for a while. I want to do a petit point design in tatting and it requires specific shades of colour. I didn't find the shades I needed, so I bought the embroidery floss instead. I hope one skein of each colour is enough. I hate having to rely on stores like WalMart and Michaels because they never seem to have what I need. They carry a lot of materials for general purpose crafting, but if you need something like a specific shade of thread, you have to go to a specialty shop.

O yeah, the other balls of thread? They were just sitting there in the thread drawer next to the Valdani thread and they were just such pretty shades of DMC perle cotton size 8 in the same pink/plum colour I felt I had to bring them home and of course I needed a contrast colour, didn't I? Besides the blue went nice with the variegated Valdani. And the red? It's DMC Perle 12. I seem to use up red faster than I bring it home and I'm down to half a ball of red perle which isn't enough to make much of anything with. I mean really, how can you NOT tat red hearts when Valentine's day is fast approaching.

I don't stash thread, I use it, a lot of it. I showed DH another empty core from a ball of size 20 Royale I don't see a weight on it, but I'm guessing about 50 grams and it's 400 yards of thread. I'm blessed with a sweetheart for a husband. His only words were, where do we get more. Gotta love him.

Now that I have my thread I'd better get tatting.

Tatted Dress

Laura recently posted a picture of a tatted dress, hat and purse that had been acquired by the Mobile Alabama Tatter's Guild and it reminded me of another tatted dress. Some years ago a few of the Toronto area tatters joined together in an email list for a brief time. One of the participant's mentioned that her mother had tatted a dress many years ago. Since my computer has had the files migrated through several different drives a lot of the older data has been deleted, so I am working from memory.

The woman who tatted the dress was Sheila Dusome and at the time I heard about it she lived in Barrie, Ontario. As I recall, her daughter said that the dress was tatted one winter without the aid of any kind of a pattern. Sheila worked on it in the evenings and did the shaping entirely by varying the size of the rings used. The dress wasn't made for any particular purpose, Sheila just wanted to tat a dress to wear. Years later the dress was also worn by her daughter who is the model in this picture and I think the daughter's name is Sharon. The dress was taken to the Maple Leaf Tatter's workshop and anyone who attended that year might have more information on it.
I have lost all of the contact information I had for Sharon or I'd just write and ask her for the details. Her mother didn't have a computer, so all of the contact we had with Sheila was through her daughter.

Sharon sent me this picture of her wearing the dress. I don't think it was floor length, it was probably mid calf, but still and enormous amount of work. If anyone attended the workshop or was a member of the Toronto Tatters email list and has more information, please feel free to share the details.

Five years of creating newsletters

I have been doing the Tatted Lace Pattern Collection for that last 5 years. I've designed snowflakes, doilies, necklaces earrings, edgings, motives and a lot of 3D stuff like flowers, snowflakes, and Christmas angels. Here's a review of the designs from the past year:

There were 2 doilies, a snowflake, 2 pairs of earrings, a heart frame, 2 bookmarks, 3 3D flower designs, a motif turned into a V-neck collar, a chatelaine, an amulet bag, 2 edgings, a necklace, and a snowman family.

I can see my tatting progress each year because it's all recorded in the newsletter. I know how much I tatted, what kinds of things I've made and relatively how long they took. I know that none of them took more than 3 months because every 3 months there's another newsletter. I don't look back over the year and think, "What did I make this year?", I know what I made because it's all recorded in the newsletter. At least, most of it is. I tat more than what is represented here but this is a big chunk of it.

One of the benefits of the 25 Motif Challenge is that it give people an opportunity to keep a record of their own progress. A lot of people when they started out, didn't think that they could tat 25 motives in a year. Maybe for beginners it is a bit of a stretch, but piece by piece your skill and your speed improve and suddenly you realize that you are doing it, you are accomplishing that impossible goal of 25 Motives.

Over the last 5 years I have designed and executed an average of 19 patterns per Volume. It started out as a black and white publication that was mailed out 4 times a year. Now it is a colour publication emailed out 4 times a year. The subscription price when I started was $20 Canadian and 5 years later it's still $20 Canadian.

If you are interested in ordering the newsletter, or if you are interested in past volumes, click here for the order form. If you want past volumes, please specify. The pictures for the projects in each volume can be seen here.

Volume 1 Edition 1, Edition 2, Edition 3, Edition 4

Volume 2 Edition 1, Edition 2, Edition 3, Edition 4

Volume 3 Edition 1, Edition 2, Edition 3, Edition 4

Volume 4 Edition 1, Edition 2, Edition 3, Edition 4

A new look

A couple of years ago I tatted a lace collar for my sister for her birthday. I used a basic ring and chain base, several rows of mignonette, and a very frilly floral edging I had designed, to create this ruffled piece of loveliness.
I had envisioned the floral edging being flat, but a gross mis-calculation resulted in a bzillion more repeats than necessary. However, by the time I had completed about one third of the final row I knew that the only way to fix it was to cut off the last 2 rows and redo the penultimate row with single large outward facing rings to space out the floral repeats in the final row. This realization occurred at the same point at which I knew there were not enough hours in the day to cut off the rows and experiment with an alternate variation and still have it completed in time for her birthday. I tatted on with this gloriously full ruffle and completed it as shown.

Some time later my sister admitted that while she liked the ruffles, the collar was too large for any of the clothes she owned and that she much prefers her dresses and blouses with the neckline - at the neck. Consequently she wondered if the collar could have a piece cut out of it and made smaller so that the neck opening was smaller.

I did mention that there are several rows of mignonette, didn't I? It's really hard to hide short ends in the bare threads of mignonette. I was really loathe to try retro tatting 4 or 5 tiny mignonette rings to give me enough thread to hide ends and I suggested that a better alternative was to add more rows at the neck to decrease the circumference of the opening. It sounded like a good plan at the time and the collar was returned for re-working.

The first problem occurred when I pulled out a ball of thread to start working on it. The thread I had was a different dye lot. I know it's white, but there are shades of white and this collar used a bright white and the ball of remaining thread in my stash was creamy white. The little bit of the bright white thread I had was insufficient to finish the collar so I put the collar aside while I considered what to do.

The second problem was to design some inner rows that would bring the neckline up the required distance. I sat down with the drawing program and sketched out the existing pattern and several variations of inner rows to see what I could come up with....................

The third problem was that everything I tried looked awful. A single row of ring and chain large enough to fill the gap was too big and heavy for all the delicate rows of mignonette. It made the lace look clunky instead of light and airy. Two rows of ring and chain either filled in too much of the neckline or not enough. Rows of chains didn't match the design and more elaborate edgings detracted from the elegant and lacy floral edging.

I put it away to think about how to resolve my problems of no thread and no pattern, which, when you think of it, are pretty basic problems. That was in Feb 2006 when I drew out the pattern of the existing collar to put it in the newsletter.

The other day I was rummaging around in one of my storage chests and I found a bag with some tatting bits and a ball of thread. Not just any thread, the thread, the thread that is the exact size and dye lot for the collar. I had put it away for safe keeping, so safe that I couldn't find it. Since none of my drawings had worked I figured I might as well just attach the thread and "wing it".

It worked. The collar now has a smaller inner circumference. There are 2 more rows of mignonette about half the depth of the lower rows and one top row of mignonette/small ring. It's still light and airy, the rows gradually and naturally decrease so that it lays flat and it looks like it was designed that way. I'm quite happy with the results.

All that's left to do is finish up the sides and modify the closure slightly. I still haven't decided whether I should stay with the single closure at the top or use 2. The original, and another at the new top. Either way, the collar is done now, and I can block it and send it back to my sister.

Presenting...

The Snowman Family

Tatting for the Christmas season.

Thread Comparison

As a tatter we use a lot of different threads. A single strand of thread can be easily pulled apart. Two strands are a little bit harder to break, but when you start twisting strands together they become much stronger. If you take embroidery thread you can see that it's made up of 6 strands of thread, but if you look closer, each of those strands is made up of 2 loosely twisted strands. If you look at perle cotton the strands of thread are much thicker, but there are only 2 strands not six and the strands are more tightly twisted.

A 3 strand thread can have finer individual strands than a perle cotton, but the strands are twisted much more tightly together.

You may have heard of people talking about 'S' twist and 'Z' twist. The letter S starts on the top right and moves to the left. The letter Z starts at the top left and moves to the right. In the same way strands of thread can be twisted together by twisting them from the right to the left or from the left to the right. Flora and Olympus are 6 cord threads which have strands of thread twisted in both directions. First pairs of strands are twisted together in one direction, then 3 pairs are tightly twisted together in the opposite direction. A 6 cord thread is strong and durable. It will take tatting and retro tatting without becoming worn or fuzzy.

Most tatting threads are cotton. You can use other fibres, but the majority of the time you use cotton. Cotton is soft, fluffy and fuzzy and when it's spun together it's still fuzzy. Threads with lots of fuzzy bits in it doesn't tat very well. John Mercer a 19th century chemist devised a method of chemically treating cotton fibres to remove the fuzzy bits and it also gives the thread a nice shine. The process is called Mercerization and even today we see the word mercerized on most of the threads we use for tatting. Fuzzy bits don't slide very well so most of the threads that are really good for tatting are mercerized. Polishing the thread gives it extra lustre and makes the knots slide easily.

Sometimes I want a really fine thread to create something delicate like an edging to float on the edge of a wedding hanky. Other times I want a nice thick thread to make a quick project. Whatever I'm making, I sometimes find that while I have the right colours in my stash, they're not all from the same manufacturer or they're not all marked with the same size.

Take a look at the picture on the left. All of these flowers were tatted using the same pattern and there are 7 different brands of thread that all look remarkably close in size. There is a measuring tape down both sides one in metric and the other in inches so you can judge for yourself.

The first thread is Flora size 20 and it's a 6 cord thread that's nice and crisp the stitches slide easily and the thread doesn't fall apart if you have to undo and redo sections of your tatting. It isn't as well polished as some 6 cord threads so it has more of a matte finish. This is marginally the largest of the samples.

The second thread is Opera size 20. It's a 3 strand thread that's more polished than the Flora so it's shinier and it's softer to the touch. It will take some gentle retro tatting without too much effect, but if you have to re-work the same piece several times the thread gets fuzzy and starts to fray.

The third thread is Oren Bayan size 50 which is a 3 strand thread and shiny like the Opera thread but it seems to be a little more tightly twisted and a little crisper and stronger so that it has less of a tendency to fray.

The fourth thread is Altin Basak size 50 another 3 strand thread. It may not be apparent from the picture, but this sample is the smallest of the 7 flowers. The thread is tightly twisted and well polished, but not as shiny as the Opera or the Oren Bayan. Again, as it seems with all of the 3 strand threads, they don't handle re-tatting very well.

The fifth sample is Olympus size 40. In my opinion it is the best thread of any of these shown to work with. It's a crisp 6 cord thread with a nice polish. If you tat tightly with a 6 cord thread, the project will hold it's shape without much need for blocking. The thread has a nice sheen to it and it will take multiple attempts at tatting and un-tatting without any apparent affect on the thread.

The sixth thread is DMC Perle (or Pearl) 8 which is a 2 strand thread. The thread is soft and lustrous, and the stitches slide easily but the thread won't take well to multiple attempts to tat and un-tat. It can separate and fray easily if you grab only one of the strands doing a join, but if you work carefully the sheen makes for a lovely finished product.

The seventh sample is 3 strands of embroidery floss. This is a no-name thread and didn't make a very satisfactory flower. DMC or Anchor embroidery floss have a nice sheen that makes the stitches slide easily. However, this sample makes the point; 3 strands of embroidery floss makes a finished project roughly the same size as all these others.

I haven't done Cebelia or Manuela size 20, but I will and you will see that they too are almost the same size. So there you have it. 7 different threads with sizes marked on them from 8 to 50 and yet the finished size of the tatting is almost the same. So the next time you need a colour and you don't have it in the selected brand, you'll know what you can substitute, and if a pattern calls for a brand you don't have, instead of giving up until you can get to the store, select and alternate brand, and get to tatting.