Thoughts on shuttles

There are 3 main types of shuttles. There is the very basic flat shuttle which is generally a flat aerodynamic shape with 2 holes punched in either end and a slit from the outer edge in to the hole. Thread is wound across the flat on the top through the slit and into the hole and across the flat on the bottom through the other slit and into the second hole.



It's about as simple a shuttle design as you can get and that's great because it's the kind of thing you can make quickly out of a business card. Or if you are teaching someone and you just need a short length of thread you can use the plastic tab off of a loaf of bread.



Flat shuttles are great for projects that take an enormous amount of thread or projects using huge quantities of beads. Their one big drawback is that the thread is on the outside of the shuttle and that means that it can easily get dirty.



Post shuttles are oval with a clam shape where the top and bottom sections called blades come to a rounded point at the front and back and the points of the blades touch at the tips. They may have a narrow point or pick or flat hook at the front used for joining. The thread is wound through the tips and around the post in the middle that holds the 2 blades together.



In switching from tatting rings to tatting chains you often have to shorten your thread which means re winding and when you switch back you need to unwind more thread. When working with beads the beads need to be added onto the shuttle by walking the shuttle over the thread and spacing the beads out along the length of the thread. Sometimes when you are tatting the thread instead of sliding over or under the shuttle, will slip through the tips of the blades.



Post shuttles can be made in a wide variety of materials and designs and can be very decorative making them a wonderful collector's item.



Bobbin shuttles have the same general shape as a post shuttle, but instead of a post they have a bobbin and the tips are closed in. The bobbin, in most cases, is removed for winding and depending on the type of bobbin and the type of sewing machine you have, they can often be wound on the sewing machine.



When you are tatting with a bobbin shuttle you can shorten the thread length by turning the shuttle sideways and rolling the bobbin with your thumb. Lengthening the thread is as easy as pulling on the shuttle until the desired length is reached. Beads can be added all at once as they will easily roll around the bobbin.

One of the great advantages to a bobbin shuttle is that additional bobbins can be purchased. With a post shuttle the only way to use the shuttle on another project is to finish the project of cut the thread off. With a bobbin shuttle you can change thread or change projects just by popping in a new bobbin. I always start my thread by using a slip knot around the flat shuttle post or bobbin so nothing comes loose until I want it to. Once you are finished with a project, pop out the bobbin hold the thread and let the bobbin drop. Then either throw away the scrap of thread left on the bobbin or rewind it onto the ball of thread. (Wind the thread around the ball and hold it in place by tightening the slip knot around the ball. That way it keeps the thread on the ball, and you always know the starting bit is a short end.) There's no need to waste precious tatting time doing little projects to use up the thread left on the shuttle as with the post shuttles.


I began tatting with an icky metal Boye bobbin shuttle, but it was all I had, so I used it. Then I bought my first English Aero shuttle and I was spoiled forever. A few years ago (when I was young and foolish), I would have said that anyone who doesn't like using an Aero shuttle is nuts. I have since learned that some people really struggle with the attached hook and some people find the 3 inch length from hook to end is just too long, but I have long fingers and I adore having an attached hook.



How do I love thee Aero, let me count the ways. I love the weight or rather the lack of weight. One of the irritations of using a heavy metal shuttle is that I find the weight of the shuttle will unflip the stitches and create knots when I drop the first shuttle to pick up the second shuttle. I also find that the metal shuttles can make the thread black if it gets caught between the bobbin and the shuttle. Constant use causes the bobbin to grind against the inside body of the shuttle creating powdered metal. Every time a thread gets caught between them the black metal filings come off on the thread. It usually washes out, but it's an aggravation I'll gladly do without.



I love that the Aeros have a knurled bump at the back that holds the bobbin for easy winding. The old Boye shuttles had a narrow stem at the end that the bobbins also fit over for winding, but the newer metal shuttles made by Susan Bates have a stem that is too wide to fit in the hole of the bobbin.



I love that the Aeros have an attached hook at the front that makes doing joins quick and easy. I don't have to look around for a crochet hook or keep trying to poke the thread through a picot with a point of pick. Each time I need to make a join I just grab a loop and continue pushing the whole shuttle through. Quick, neat and easy.



I love that the Aeros are made of a shiny slick plastic that the thread just glides over and that the shoulders around the hook are smooth and tapered. Everything about the Aeros makes for ease of use and fast tatting. With a craft that is anything but fast, every little bit of speed helps.



In recent years the manufacture of the Aero shuttles moved from England to Germany. The molds used to create the original English Aeros were destroyed and the German made Aeros aren't as good. The dimensions are the same and it retains the knurled knob at the back which holds the bobbin, but there are changes. The plastic isn't a smooth and it has more of a matte finish that does polish up after a lot of use. The bobbins aren't held in quite as snugly on the German shuttles and the shoulders around the hook are often cut off sharply so that the thread catches on it momentarily when in use. People purchasing the newer Aeros now made by Prym in Germany under the name Inox often wonder why older tatters rave about Aero shuttles. The newer shuttles just aren't as good as the old English made Aeros.
Even more recently other companies have created similar shuttles. In the picture above the original English Aero is on the right and beside it is the German Aero. Next to the German Aero is the white shuttle produced by Susan Bates and it is far inferior. To begin with the knob on the end is rounded and too large to hold the bobbin for winding. They might as well have produced a shuttle without the knob. The shoulders around the hook are like the German Aero, cut off sharply so that the thread doesn't glide smoothly over it. The bobbins either hardly move at all when the shuttle is new and it is hard to pry the bobbin out or the bobbins roll around freely. If the bobbin is too tight you can always use a worn out bobbin in it until it gets looser, but there have been reports of inconsistent tension with these shuttles. The finish of the shuttle is more like that of the original English Aeros and the thread does glide nicely over the surface of the shuttle. The bobbins do tend to wear more quickly with these than with the traditional Aero.

Another company that has made an Aero type shuttle is H. A. Kidd and Company under the Unique label. It's the blue shuttle and I bought mine at Zellers.Their shuttle is similar in style to the Susan Bates shuttle with the useless rounded knob on the back. The shuttle material is similar to that of the German Aero and it comes packaged with one extra bobbin. The unit I purchased did not seem impossibly stiff when I bought it as did the Susan Bates model, but it was a little bit stiff. All in all though it's not a bad little shuttle and I'd rate it as on par with the German Aero except of the useless winding knob.

Coats produces a similar shuttle under the Red Heart label (it's the red shuttle) and it's available in most WalMart stores, but it doesn't come with an extra bobbin. The winding knob on this one is as useless as the Susan Bates or Unique shuttles. The shuttle material is thicker, not as elastic and has a rougher surface than the other shuttles and the shoulders around the hook are cut off sharply and quite rough. It's a cheap and use able shuttle but certainly not the delight to use that the English Aero is.

I like all of these shuttles and I'd prefer to have several of these than to spend my money of more glitzy shuttles. I can use them, break them, give them away or lose them and it isn't going to cost me an arm and a leg to replace them. I take very good care of my Aero shuttles and when 2 of them got broken in the same week (I'd been using the same pair of shuttles for about 15 years non stop, so it was just weakness from excessive use), hubby filled in the end where it had broken with hot glue to brace it and I kept on using them.

I love the looks of the wonderful unique post shuttles, but when it comes to tatting, give me my Aeros.

Christmas tatting

I got to spend Wednesday at the hospital while hubby got all kinds of test done. We left home at 6:30 AM and arrived back home at 7:30 PM so it was a very long day. There were a series of tests done in the morning and then a 4 hour gap in the middle followed by a 2 hour drive home stuck in rush hour traffic coming back from downtown Toronto. It wasn't a total waste though. I managed to tat 3 of these snowflakes. I used a size 10 thread with an opalescent filament. It's like the silver and gold filament stuff but not so tacky. It just adds a little sparkle of shine when the light hits it, although it doesn't show up in the scan.

I did 8 of the snowflakes in size 30 to go out to the family in their Christmas cards and my honey was in such a hurry to get the mail out I didn't have time for any more. I'm not crazy about the design, but there was this whole time warp thing, where my belief that I would be able to tat miles of lace in a day, smacked up against reality. I had actually planned on tatting angels for this year's cards but then there was, you know, this time warp thing. Maybe in the lull between Christmas and New Years this year I can tat some angels for next year and be ahead of the game. Just once when hubby starts doing the Christmas cards I'd like to hand him an abundance of tatted pieces ready to be tucked inside.

This design only took about 2 hours each and between shifting from room to room as different tests were done and walking around window shopping and having lunch during the mid day 4 hour break, I don't think I did too bad at managing 3 of them. I want to give these larger snowflakes to the neighbours and I'm having a hard time balancing between not leaving anyone out and possibly feeling offended and giving them to people who will think nothing more of them than a paper cut out snowflake. I always seem to end up the season thinking I wish I had a few more to give away. I've done 10 snowflakes now and I think I'll deliver these and then think about who I've missed...Maybe I should do a couple extras just in case...

Yippee! the Newsletter is done

I'm so excited to finally have this newsletter published. This edition has a lot of items I've been wanting to try for a while now. I decided that as a wee, "thinking of you" gift, that I wanted to make something for my sister in law. She wears a lot of yellow so I thought a yellow rose motif would be nice. I used the Coats machine embroidery thread in yellow with a matching variegated yellow/orange/brown for the outer border. I really like how this turned out, but it was hard doing all of the shuttle joins with this thread as it's not as strong as tatting thread and it's so fine I had to use a #14 hook to do the joins.

Then I did up a quick drawing to experiment with making a tatted angel. I didn't want wings that went straight out so I tried for a more uplifted version.

It looks OK but the bottom is too straight and although it can all be done in one piece from beginning to end I thought I'd try another variation. The first inner bit with the large rings was too small so I added another row and zigzagged back with a second row. At that point I ran out of thread on the shuttle and got side tracked from what I had originally intended. Usually if I'm tatting something for the newsletter and it isn't quite right I already have an idea of what I want to do to fix it. I just re-load the shuttles and start again, maybe from a different point or with a different technique. I set this one aside thinking it was done except for the bit I had to finish where I ran out of thread.

Whatever I was thinking of, when I went back to finish it off for the newsletter, I realized that there was no way this design could be worked in one pass. Sometimes a project just has to be done in pieces and I can deal with that, but I don't like designs that could be worked in one go if they were designed better. I tatted a bootie pattern once that had 5 or six little pieces and it drove me nuts so I really try to avoid piecemeal designs if I can. So for this angel I had to start over.

Here's the new version that's tatted all in one piece. The wings look more like wings ad less like arms. The skirt isn't a straight line across the bottom and the use of smaller rings gives it more all over shape.

One of the other things I wanted to try was making a beaded ball. I wanted some droopy bits along the bottom and some different sizes of beads for some texture. When I went through my stash of materials the only kind of bead I had with a hole at one end that would let it hang was an iridescent blue/purple/black bead that had matching seed beads. Not exactly my first choice, but then a friend of mine told me that black was the "in" Christmas colour this year and she's done her whole tree in black and gold. So I thought why not and started tatting my beaded ball. The first couple of rows went quickly but then I had to stop and think of a beading arrangement that would accent what I had already done and use the beads I had on hand. Several attempts were discarded because they called for more beads that I had and since I couldn't remember where I had picked up the iridescent beads I had some additional limitations to deal with.

I put the beaded ball aside to handle some more pressing issues and when I can back to it I decided to go with something simple. Some heavily beaded double picots finished this one off nicely. The colour of the beads just doesn't show up in the pictures and after several tries with different background colours, I just gave up trying to get a good image.

The piece that I'm really excited about is this one. I tried to tat it a couple of different ways, before I hit on this design, but I'm tickled pink with the results. Tatted Ice Skates. Aren't they adorable? My physiotherapist asked if I made them for sale. Her daughter has taken up skating and I think she'd love to have the skates for her. My initial reaction was "no way" but since I had to sit down and tat another skate to make sure I had the instructions right, I just might do her a pair. It's one of those things where you have to do it in pieces because you need 2 of them.

By the way, for anyone who doesn't already subscribe to the newsletter, it's published quarterly and has 4-5 designs in each issue. Usually there is one larger item and several smaller items although sometimes there are just a bunch of medium size projects like this one. The newsletter is published in PDF format and is sent out by email. The cost is $21 Canadian and can be purchased through PayPal. That means that you can order it and have it in time for Christmas even if you order it on Christmas day. Here's the link to the order form if you want it. And here is the link to the main page

Now that all this is done I can get back to other things like updating the 25 Motif Challenge. I know there is a lot of tatting going on that I haven't blogged about, but I have been busy.

The day I made Mary Ito cry

The day came for the CBC TV crew to come and do a spot on tatting. Some unfortunate circumstances meant an unavoidable delay but Mary Ito the host of Living in Toronto, April Stevens, the producer. and the ca merman Richard arrived and got set up.

Mary is even sweeter and more charming in person that she appears on TV. She was a delight to talk to and made me feel perfectly calm and at ease.

Mary want me to show her how to tat and as we all know, co-ordinating both hands in unfamiliar positions is challenging at first. In between the changing positions for that camera and pausing while Dusty, the macaw voiced her opinion, I botched up the explanation of how to tat. So instead of things being concise and coherent, it was more of "put this thingamajig through that spot there and pull that thread over here".

I decided that if a novice tatter was going to be filmed doing their first bit of tatting it had better be something quick. So I decided on a one ring butterfly. Just 5 stitches. The first 3 were relatively painless, then the pressure of keeping a schedule added to the frustration and the stitches just wouldn't co-operate. Down to the last half stitch and the tension mounted. the first half stitch un-flipped, the thread wouldn't slide, it seemed hopeless and Mary started laughing.

The laughter took on a slightly hysterical note and the cameraman stopped filming for a moment. The Mary wiped away the tears and surmounted that last obstacle, that one last half stitch......and closed the ring.

Congratulations Mary, you did it! I'm so sorry I made you cry.